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Desmond Elliott Prize Shortlist 2019

Desmond Elliott Prize shortlist 2019

Desmond Elliott Prize Shortlist Explores Loss of Innocence and the Conflict between Self and Society “From a very strong longlist we’ve arrived at a shortlist of three really marvelous novels — each of them an unforgettable picture of a place and a society, peopled by vividly interesting characters. It’s a pleasure to greet three such […]

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International success for 2018 winner Preti Taneja

2018 Desmond Elliott Prize winner, Preti Taneja will be appearing in Australia at the Adelaide Festival’s ‘Writer’s Week’. Preti has been invited to be a part of a panel that will explore the Indian diaspora alongside Sohaila Abdulali and Sujatha Gidla on Sunday 3rd March, before discussing her Desmond Elliott Prize winning novel, We That […]

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It’s time to discover another dazzling debut, thanks to our Desmond Elliott Prize alumni. Today we hear from author, poet, scholar and 2013’s winner, Dr. Ros Barber. “Debuts are rarely the first thing a writer has written and there is usually a long apprenticeship behind that first novel. In George Saunders’ case he was well-established […]

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The Magic Of Chambéry – Emma Flint

The Desmond Elliott Prize is the UK’s premier literary award for debut novelists. Every year, around 90 debuts are submitted. These are narrowed down to a longlist of ten, then to a shortlist of three, before the winner is announced. In 2017 I was very proud to reach the longlist with my debut Little Deaths. […]

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Notes on Writing my Third Novel by Claire Fuller

Today marks the publication of Bitter Orange (Fig Tree), the third novel by our 2015 winner Claire Fuller. The novel has already received rave reviews from the Guardian and The Sunday Times and will no doubt go on to garner many more. To celebrate its release, Claire shared some insight into the writing process with […]

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It’s that time again to discover another dazzling debut, thanks to our Desmond Elliott Prize alumni. Today we hear from Head of Books and Features for the New Statesman and 2012 judge of the Prize, Tom Gatti. ” “Crassly explicit”; “gloatingly sadistic”; “repulsive”; “a work of unparalleled depravity”. I remember vividly flicking through the quotes […]

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